Artists have always had to contend with influence; every generation has always wished it could birth itself, instead of being born. But the contemporary world is burdened with the biggest glut of influences and models ever available to any people in history. It may seem paradoxical to claim, but nothing proves this essential paralysis more clearly than our era’s massive cultural overproduction, than those creative industries that churn out books and television shows and movies yet always remain fixated on contemporary trends, on context-free content, with little or no connection to any deep tradition. The paradox makes some sense psychologically: one symptom of paralyzing anxiety is compensatory overactivity. Bloom himself had suggested that artists deal with this overabundance by choosing the right influences (or being chosen by them), then redescribing, misreading them creatively—hoping to come up with a radical enough revision to push forward with their own transformed material.
return ok(data["name"]);
edit sidecar JSON，这一点在新收录的资料中也有详细论述
Американская ракета дала сбой и рухнула в жилом районе02:31，详情可参考新收录的资料
В России появилось Сталинградское шоссеУчасток дороги на выезде из Саратова переименовали в Сталинградское шоссе，更多细节参见新收录的资料
I'm too young to have lived through the era of the "Unix wars" and needlessly-incompatible differences between vendors, and so I'm lacking a lot of the historical context. However, attempts were at some point made to standardize Unix behavior into an IEEE standard called POSIX. This seems like a direction to start looking!