1975年上映的《镜子》是塔可夫斯基极具个人色彩的作品，也是《殉道学》中反复提及的创作执念。这部影片几乎是他的自传式表达。他邀请母亲亲自出演，让诗人父亲阿尔谢尼的诗歌作为画外音贯穿全片，整个筹备过程是他对童年时光的一次深情探访。为了还原记忆中的场景，塔可夫斯基和摄制组做了无数近乎偏执的努力：根据老照片将废墟精准还原，在40年前的原址“复活”被时光摧毁的那栋房子；为了重现童年时如白雪覆盖般开满荞麦花的田野，他们在早已改种苜蓿和燕麦的集体农庄重新播撒下荞麦种子。
Stewart Brand thinks big and long. He thinks on a planetary scale – as suggested by the title of his celebrated Whole Earth Catalog – and on the longest of timeframes, as with his Long Now Foundation, which looks forward to the next 10,000 years of human civilisation. He has had a lifelong fascination with the future, and anything that could get us there faster, from space travel to psychedelic drugs to computing. In fact, he was arguably the bridge between the San Francisco counterculture of the 60s and present-day Silicon Valley: in his commencement speech at Stanford University in 2005, Steve Jobs eulogised the Whole Earth Catalog and Brand’s philosophy, and echoed its farewell mantra: “Stay hungry. Stay foolish.”
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